There are also some pitch-dips, which are done with the pitch-bend wheel.
#Repitch mode simple delay mod#
Then, set the LFO rate to 0.53Hz to set the vibrato speed and raise the mod wheel to 0.04 to set the vibrato depth. To modulate the pitch with the LFO in Prophet V, first activate the Freq A and B buttons in the Wheel-Mod section. The analog flavour comes from the pitch vibrato, which is created using the LFO. Darken the sound by setting the filter cutoff to 125 Hz and envelope amount to 18. The pad has a soft fade-in effect, so set the attack time of the filter and amp envelopes to 162ms and 480ms respectively. The oscillators are both sawtooth waves with Osc B detuned by 4%. Here’s the result:Īt 1:11 a warm analog-sounding pad is introduced, this was a Roland JX-8P on the original recording but I recreated it Arturia Prophet V, a softsynth emulating a classic 70s analog polysynth. This could’ve also been done with layering two separate tracks in the original production. I recreated this by setting the oscillator volume to be velocity sensitive (with the Velo modulator) and adjusting the velocity in the MIDI clip.
#Repitch mode simple delay Patch#
The patch is relatively simple but the first note of the pattern is noticeably louder than the other two. I also raised the attack time to 16ms to remove any clicking from the sound. There’s no filter needed and the envelope is set with a long 3.6 second decay time and -24 dB sustain. I recreated the patch in Serum starting with a sine wave from the Basic Shapes wavetable and added some harmonics with the FM (Sub) warp mode. There are only two melodic sounds in Love Galore the first is mellow almost-sine wave bass that plays a recurring three-note pattern throughout the track. I also used a Moog Voyager on that, because they’re so tight.” – Carter Lang I programmed a sound into the JX-8P that I called Moonbaby, and I used that sound for the “Love Galore” track for SZA when we made that shit.
Whatever it is, it turns shit up, because now I had a mono- and a polysynth and they’re both analog. “And then the next piece of gear I got was Knox Fortune’s JX-8P poly synthesizer-which I bought for like 250 bucks. It was produced by Carter Lang who used a Roland JX-8P and a Moog Voyager on the track: Love Galore is a sparse trap song featuring Travis Scott.
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